Most aerial footage looks like aerial footage. This is about what it takes to make it look like cinema. We've spent over ten years learning how to art direct a camera that's moving at 60 miles an hour, 400 feet off the ground, and this video is a window into that process.
This piece is about the art direction side of aerial filmmaking that most people don't think about until the footage comes back wrong.
Every drone shoot we run has two people in the field: a certified pilot managing the aircraft, and a director managing the frame. This keeps the flying safe and the storytelling sharp, and it's what makes the difference between aerial footage and aerial cinema.
When the shot requires work in sky or inside large buildings, the work still has to hold up on the ground. Reach out and let's figure out what your project needs.
